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NÁND Sigurgeir Agnarsson

Harpa Norðurljós

kl. 15:00

6. mars

 Sellóleikarinn Sigurgeir Agnarsson flytur verk eftir frændurna Hafliða Hallgrímsson og Huga Guðmundsson. M.a. verður frumflutt nýtt verk eftir Hafliða, Solitaire II, sem hann samdi sérstaklega fyrir Sigurgeir.

Efnisskráin
Hafliði Hallgrímsson 

Solitaire op.1  (1970/1991)

1. Oration - Largo

2. Serenade - Andante

3. Nocturne - Larghetto

4. Dirge - Largo

5. Jig - Allegro

Hugi Guðmundsson

Alluvium (2015)  

Hugi Guðmundsson

Veris (2020)

Halfiði Hallgrímsson

Solitaire II op. 58 (1974/2020-2021) - frumflutningur

1. Lamento - Largo

2. Circum - Allegro

3. Intersessio - Largo

4. Perpetuum Mobile - Allegro

Um flytjanda

Sigurgeir Agnarsson var árið 2017 skipaður í stöðu leiðara sellódeildar Sinfóníuhljómsveitar Íslands, en hafði á undan gegnt stöðu aðstoðarleiðara frá árinu 2003. Auk starfa sinna fyrir Sinfóníuhljómsveit Íslands hefur Sigurgeir víða komið við í íslensku tónlistarlífi sem flytjandi, kennari og skipuleggjandi ýmissa tónlistarviðburða.

Sigurgeir hefur komið fram sem einleikari með Sinfóníuhljómsveit Íslands í sellókonsertum Schumanns, Haydn (C og D dúr), Beethoven þríkonsertinum og Brahms tvíkonsertinum. Auk þess hefur hann leikið einleik með Kammersveit Reykjavíkur, Blásarasveit Reykjavíkur og Bochumer Symphoniker. Sigurgeir hefur komið fram á ýmsum tónlistarhátíðum, bæði heima og erlendis, m.a. Listahátíð í Reykjavík, Reykjavik Midsummer Music og Oulunsalo hátíðinni í Finnlandi. Sigurgeir var tilnefndur sem flytjandi ársins á Íslensku tónlistarverðlaununum árið 2014 ásamt Önnu Guðnýju Guðmundsdóttur fyrir heildarflutning á verkum L.v. Beethoven fyrir selló og píanó á þrennum tónleikum á Listahátíð í Reykjavík sama ár.

Sigurgeir hefur kennt við Tónlistarskólann í Reykjavík, síðar Menntaskóla í tónlist, frá árinu 2003. Sigurgeir er einn af stofnendum Alþjóðlegu tónlistarakademíunnar í Hörpu og situr jafnframt í stjórn akademíunnar. Á árunum 2013 til 2020 gegndi Sigurgeir stöðu listræns stjórnenda Reykholtshátíðar í Borgarfirði.

Sigurgeir hóf nám á selló hjá Gunnari Kvaran við Tónlistarskóla Garðabæjar árið 1984, þá átta ára gamall. Hann lauk einleikaraprófi frá Tónlistarskólanum í Reykjavík árið 1995 og hélt til frekara náms við New England Conservatory of Music í Boston og síðar við Robert Schumann tónlistarháskólann í Düsseldorf.

Sigurgeir hefur gegnt fjölda trúnaðarstarfa fyrir Sinfóníuhljómsveit Íslands sem og Starfsmannafélag Sinfóníuhljómsveitar Íslands. Sigurgeir sat um margra ára skeið í stjórn Hjólreiðasambands Íslands og var árið 2018 gerður að heiðursfélaga sambandsins fyrir störf sín í þágu hjólreiðaíþróttarinnar. 

Um tónskáldin

Hafliði Hallgrímsson hefur átt óvenjulega fjölbreyttan og viðburðaríkan feril bæði sem sellóleikari og tónskáld. Hann stundaði nám sem sellóleikari í Tónlistarskólanum í Reykjavík og lauk þaðan burtfaraprófi 1962. Ári seinna sótti hann tíma hjá Enrico Mainardi í Rómaborg. Hann var meðlimur í Sinfóníuhljómsveit Íslands veturinn 1963-64 en fór síðan til London og innritaðist í Royal Academy of Music þar sem hann lauk burtfararprófi 1967, og vann Madame Suggia verðlaunin fyrir sellóleik. Hafliði kom fyrst fram sem einleikari með Sinfóníuhljómsveit Íslands 1966, og 1971 debúteraði hann í Wigmore Hall í London með einleikstónleikum við góðar undirtektir gagnrýnanda. Árið 1967 bauðst honum staða í Haydn strengja tríóinu og varð hann fljótlega uppfrá því eftirsóttur sem þáttakandi í vel þekktum kammerhópum og kammerhljómsveitum í London, m.a. English Chamber Orchestra, Menuhin Festival Orchestra og Monteverdi Orchestra. Hann fór í tvö heimsferðalög sem stóðu yfir í sex vikur hvert, bæði með English Chamber Orchestra undir stjórn Daniel Barenboim, og Menuhin Festival Orchestra undir stjórn Yehudi Menuhin, og kom alls fram sem sellóleikari og meðlimur í margslags kammerhópum og kammersveitum í 45 löndum. Hafliði hefur allan sinn feril tekið þátt í flutningi á nýrri tónlist, og var um árabil meðlimur í The New Music Group of Scotland og Icelandic Canadian Ensemble.  

Árið 1977 tók hann við stöðu sem fyrsti sellóleikari í Scottish Chamber Orchestra, sem starfaði á þeim árum með miklum blóma og lék árlega á Edinborgarhátíðinni og var þrisvar sinnum staðarhljómsveit á Festivalinu í Aix en Provence. Árið 1982 sagði hann upp stöðu sinni sem sellóleikari í S.C.O., til að helga sig svo til eingöngu tónsmíðum, sem hann hafði stundað með sellóleiknum alveg frá unglingsárum. Hann stofnaði Mondrian Tríóið í Edinborg sem lék aðallega í Skotlandi og hafði fasta tónleikaseríu í Queen´s Hall í Edinborg í nokkur ár. Hafliði stundaði nám í tónsmíðum hjá Elizabeth Luthyens, Dr. Alan Bush og Sir Peter Maxwell Davies. Tónsmíðar hans hafa verið leiknar víða um heim og nema nú rúmlega 100 talsins. Hann hefur fengið ýmsar viðurkenningar fyrir tónverk sín, m.a. fyrstu verðlaun í alþjóða tónlistarkeppninni á Ítalíu sem kennd er við Viotti, önnur verðlaun í alþjóða tónlistarkeppninni í Póllandi sem kennd er við Wieniawski, og 1986 voru honum veitt Tónskáldaverðlaun Norðurlandaráðs fyrir fiðlukonsertinn Poemi. Hann er Associate of Royal Academy of Music í London, og árið 2002 vann hann til Nesta Fellowship sem er fjögurra ára styrkur og veittur af Menntamálaráði ensku ríkisstjórnarinnar. Hann hefur þar að auki verið staðartónskáld Sinfóníuhhljómsveitar Íslands tvisvar sinnum.

Hugi Guðmundsson (1977) nam tónsmíðar og raftónsmíðar við Tónlistarskólann í Reykjavík, Konunglegu tónlistarakademíuna í Kaupmannahöfn og Sonology stofnunina í Den Haag. 

Hugi hefur hlotið fjölda viðurkenninga og verðlaun fyrir list sína og má þar nefna íslensku tónlistarverðlaunin fjórum sinnum, Kraumsverðlaunin, þrjár heiðurstilnefningar á alþjóðlega tónskáldaþinginu og fyrstu verðlaun í tónsmíðakeppni Norrænna músíkdaga í Finnlandi 2013.

Hugi hlaut Bjartsýnisverðlaunin árið 2014 og það ár hlaut hann einnig hæsta styrk sem veittur er af danska ríkinu til tónskálda en hann er í formi þriggja ára starfslauna. Aðeins eitt tónskáld úr hverjum tónlistargeira hlýtur þennan styrk ár hvert.

Stærsta verk Huga til þessa er óperan Hamlet in absentia en fyrir hana hlaut hann íslensku tónlistarverðlaunin 2016 og var tilnefnd til fjölda annara verðlauna, meðal annars Tónlistarverðlauna Norðurlandaráðs 2018. Af öðrum lykilverkum má nefna BOX, konsert fyrir harmónikku og lírukassa og barnaóperuna Dóm völvunnar sem flutt hefur verið yfir 70 sinnum í fjórum löndum. Að lokum má nefna óratoríuna The Gospel of Mary sem verður frumflutt í Osló 2022 og síðar sama ár í Danmörku og á Íslandi.

NÁND

Sigurgeir Agnarsson

Harpa Norðurljós

15:00

March 6th

Cellist Sigurgeir Agnarsson performs works by Hafliði Hallgrimsson and Hugi Guðmundsson, including a premiere of a new piece, Solitaire II, by Hafliði written for Sigurgeir. 

The Programme

Hafliði Hallgrímsson 

  • Solitaire op.1  (1970/1991)  

    • 1. Oration - Largo 

    • 2. Serenade - Andante 

    • 3. Nocturne - Larghetto 

    • 4. Dirge - Largo 

    • 5. Jig - Allegro 

Hugi Guðmundsson 

  • Alluvium (2015)  

Hugi Guðmundsson 

  • Veris (2020) 

Halfiði Hallgrímsson  

  • Solitaire II op. 58 (1974/2020-2021) - world premiere

    • 1. Lamento - Largo 

    • 2. Circum - Allegro 

    • 3. Intersessio - Largo 

    • 4. Perpetuum Mobile - Allegro 

The performer

Sigurgeir Agnarsson was appointed the principal cellist of the Iceland Symphony Orchestra in 2017, having previously served as its assistant principal cellist from 2003. Agnarsson has enjoyed a wide and diversified career as a performer, teacher, and organizer of various music events.

Agnarsson has appeared as a soloist on numerous occasions with the Iceland Symphony Orchestra. He has played as a soloist with the Chamber Orchestra of Reykjavík, the Reykjavík Wind Orchestra, and the Bochumer Symhoniker. He has appeared at various music festivals, both in Iceland and abroad. In 2014 he was nominated as the Performer of the Year at the Iceland Music Award shared with pianist Anna Guðný Guðmundsdóttir, for their complete Beethoven cyclus.

Agnarsson has taught at the Reykjavík College of Music, was the Artistic Director of the Reykholt Chamber Music Festival (2013-2020), one of Iceland's oldest and most established summer festivals, continues to teach at Menntaskóli í tónlist, a role he commenced in 2003, and is one of the founders, and a current serving board member of the Harpa International Music Academy.

About the composers

One of the most important figures in this flowering of Icelandic music is Hafliði Hallgrímsson, born in 1941 in the small town of Akureyri on the north coast of Iceland. He began playing the cello at the age of ten and studied in Reykjavik, and at the Accademia Santa Cecilia in Rome. On returning from Rome, he continued his studies in London with Derek Simpson at the Royal Academy of Music and was awarded the coveted Madame Suggia Prize in 1966. The following year he began compositional studies with Dr Alan Bush and Sir Peter Maxwell Davies. On leaving the Academy, he remained in Britain, eventually making his home in Scotland after his appointment as Principal Cellist with the Scottish Chamber Orchestra. 

Despite his success as a performer, the urge to compose became stronger and in 1983 Hallgrímsson left his post with the Scottish Chamber Orchestra to devote himself to composition full-time. His catalogue includes instrumental, chamber, and orchestral works. He achieved international recognition for the highly successful Poemi for solo violin and string orchestra which was awarded the prestigious Nordic Council Prize in 1986 following winning second prize at the 1985 International Wieniawski Competition, and the Icelandic Dagbladid Visir Cultural Prize. 

Poemi turned out to be the first in a series of works for solo instrument and string orchestra; it was followed by Ríma (1993) for soprano and string orchestra, commissioned by the Olympics committee for the opening of the 1994 Winter Olympics and premiered by the Norwegian Chamber Orchestra, and Herma (1994-5), a concerto for cello and string orchestra for William Conway and the Scottish Chamber Orchestra. The last in the series was the viola concerto Ombra (1999), commissioned by the Icelandic Broadcasting Corporation and premiered in Scotland by Lars Anders Tomter and the Scottish Chamber Orchestra under Mikko Franck in October 1999. 

Although he admits to some major influences, Hallgrímsson’s musical style is entirely original, showing a sensitivity to line and colour, shape and texture, not surprising from a composer who in 1969 performed one of his earliest compositions, Solitaire for solo cello, surrounded by an exhibition of his own drawings and paintings. Such involvement with the visual arts remains a key influence on Hallgrímsson´s musical style and in 1996 he was commissioned by the Scottish Chamber Orchestra to write Still Life, in conjunction with a specially commissioned painting by Craigie Aitchison. Aitchison's work is also an influence behind Hallgrimsson’s Symphony No.1 (Crucifixion) (1997), commissioned by the Royal Philharmonic Orchestra as part of the Maxwell Davies Millennium Programme of commissions. 

At this time, a commission from the Northlands Festival in Scotland demonstrated Hallgrímsson’s growing interest in musical theatre. Mini-Stories (1997) for narrator and ensemble set translated texts by the Russian absurdist Daniil Kharms. Its deft evocation of a unique world of humour, nonsense and melancholy has been widely acclaimed by audiences and critics, and since its premiere the piece has been taken up by several ensembles. 

In 2003 Hallgrímsson turned to Kharms’s texts once more in the absurdist opera Die Wält der Zwischenfälle, co-commissioned by the Lubeck Theatre and NetzZeit in Vienna. The opera was acclaimed as a great success in Germany as well in Iceland, where it received a concert performance in 2007. In that same year, Hallgrímsson finally produced a long-awaited Cello Concerto, commissioned jointly by the Oslo Philharmonic, the Iceland Symphony Orchestra and the Scottish Chamber Orchestra for cellist Truls Mørk, who has since championed the work in a number of performances across Europe. Two years later, he produced his largest chamber work to date, Notes from a Diary (2005) for viola and piano, an intensely moving evocation of the feeling of standing outside Anne Frank’s former house in Amsterdam. 

Recent years have seen an ever-increasing amount of interest in Hallgrímsson’s music, with a number of significant performances, and the release of a number of portrait CDs featuring his choral music, orchestral music, chamber works, and keyboard music. In 2008 the Iceland Symphony Orchestra announced Hallgrímsson as their composer in residence, a three-year association that encompassed performances, new commissions, and a premiere recording of his 1st Symphony. 

 

Hugi Guðmundsson was born in 1977 in Reykjavik, Iceland. He is one of the most prominent names in Icelandic contemporary music of his generation. He studied classical guitar from an early age but his real inspiration in those years came from playing the electric guitar in bands. Although he was never interested in playing traditional rock ‘n’ roll in cover bands, it was the heaviest death metal that inspired the most. Although it may seem a long way from the music he composes now, Guðmundsson has pointed out that the freedom of form, tonality and rhythm that is so prominent in death metal is in fact much closer to contemporary classical music than traditional pop or rock. So perhaps it is not such a strange path to take after all. 

While Guðmundsson completed his guitar studies, his mind was always set on composition rather than performance. He finished a BMus in Composition from Reykjavik Collage of Music in 2001 where he studied with Þorkell Sigurbjörnsson and Úlfar Ingi Haraldsson. He then moved to Denmark to study with Niels Rosing-Schow, Bent Sørensen and Hans Abrahamsen at the Royal Danish Academy of Music in Copenhagen completing a Masters degree in 2005. Following this, he completed a second Masters degree in electronic and computer music from the Sonology Institute in The Hague, The Netherlands, in 2007. He moved back to Denmark in 2007 with his long term girlfriend and now wife, baroque cellist and Viola da Gamba player Hanna Loftsdóttir. They have two daughters, born in 2008 and 2013. 

Guðmundsson´s music ranges from solo works to orchestral pieces. He is very well known for his choral music which has become a part of the standard repertoire of many Icelandic choirs. But in recent years, bigger works have become an increasing part of his output; concertos, orchestral works and last but not least, opera. His critically acclaimed and award winning first opera, Hamlet in Absentia, was a big success and paved the way for two more operas that are now in the pipeline. Guðmundsson has written music for film and media, including music for video games, feature films, and documentaries.